Polyvocal Reading of Fieldguide vol 1 with Orlando Preternaturalist, Nadia Kamies and Ten Voices at ESALA / Adam House Basement Theatre / Edinburgh / December 3, 2024
On March 24, I talked about my research and did a live reading of the audio essay H(a)unted Listening on the In the Making – Ecology and (Sounding) Art event by ACPA Leiden and West in The Hague. About In the Making: ‘In the Making’ is a close collaboration between the Academy of Creative and Performing Arts (ACPA) of Leiden University and Art Institute West Den Haag and consists of a series of six public sessions that present to the … Read More
A collection of recent experiments and works related to instruments imitating animal calls, hunting, bioacoustics and listening.… Read More
A gathering around Fieldguide #1, UNPICK, RESTITCH – Doilies, Medorahs, Labouring Plants by Nadia Kamies. UNPICK, RESTITCH narrates an archive of the ordinary. It insists on story-telling as method. There are family photographs, hand-crocheted doilies and medorahs – Nadia’s grandmothers’ craftwork – rituals and traditions. There is the Rose of Jericho or Flower of Maryam, a plant that emerges as an analogy for midwives, birth and labour, travelling and displacement, rebirth and resurrection, with deep connections to disempowered voices throughout … Read More
Breathing Barks took place on June 16th 2022, in the context of the blurred edges festival in Hamburg/Germany.… Read More
A Reading with the Bodies in the medicinal garden of ‘t Gasthuys. On March 25 the Bodies gathered at the ancient medicinal garden of the museum ‘t Gasthuys, Aalst, for a reading-as-rehearsal of Rachel O’Donnell’s essay Apacina: a Contemporary Herbal and Ambiguous Tale, soon to be published in the series Fieldguides for a Preternaturalist. Readers were Pieternel Vermoortel, Brunilda Pali, Vanessa Müller, Lucile Desamory, Nele Möller and Wendy Morris. The event was a part of the Bodies project of Netwerk Aalst. The Fieldguides … Read More